Without telling her husband, Miranda emails the couple and volunteers to be the surrogate. 

The men are elated but sassy Terry refuses to take any chances. Unexpectedly, Terry shows up at Miranda's deep-south home to micro-manage her pregnancy and refuses to leave; Miranda must create a ruse to keep the truth secret and keep the flamboyant Terry out of sight and out of the why-not an easy task considering that Terry is African-American dance choreographer-double ranties in this sleepy southern town. Starring MAD TV alum Orlando Jones and directed by Oscar and Emmy nominated director Ron Satlof, Misconceptions is a sweet and fun romp about overcoming prejudice and creating family.

Her fellow inmate Marta becomes her ally; her mother Sofía, her opponent. One attempts to teach her how to be a mother to her child in the least appropriate place; the other wishes to take over rearing the child, so that he should grow up outside prison, in freedom. The duel between Julia and her mother expresses the dilemma of what is better for the child, to be brought up next to his mother in prison, or without her, but in freedom.

An official selection of both the prestigious Canne and Toronto Film Festival, this well-made drama has awed audiences all over the world,

But then Coca gets an idea. CDan't Manuela revert briefly back to a Manuel and pose as her fiance? That way her parents might not be so angry when they find out about her pregnancy. Manuela is hesitant at first but agrees to do it for his friend. 

Now Manuela is going to butch it up for Coca's parents while still trying to hold on to himself. However, when things begin to spin out of control and this comedy of errors starts to include a shotgun wedding, a confused neighbor and several cases of mistaken identity it is up to Manuela to set things straight... in a manner of speaking.

This gritty, cutting-edge drama is a part of a new genre from contemporary queer filmmakers that shows another side of gay life. Shank is no cozy affair; void of the cliché plot devices typical of a coming of age story, this is a film that is refreshingly shocking, very explicit and painful at times.

?Yet under the surface of violence, hatred and confusion there is also more than a streak of tenderness. Cal is an 18 year-old member of a gang that wiles its days away in a haze of drugs, sex and random acts of violence. He is desperate that the other members do not discover that he is struggling to come to terms with being gay. This becomes difficult due to his unspoken desire for his best friend, another, more violent member of the gang.

A chance encounter with a French Student who treats him with love and kindness gives tough thug Cal his first meaningful relationship. The other gang members are reluctant to lose one of their own, and so engineer an explosive confrontation that leaves no one unscathed and everyone traumatized and transformed.

Winner of the Roger Walker Dack Award for Emerging Talent in Queer Cinema, this brilliant debut from 21 year-old director Simon Pearce is compelling, completely unique, and full of energy. Its fresh take on a slice of British gay youth culture makes it a must-see for anyone who loves movies that shake you up.